Suppression in The Yellow Wallpaper

In the 19th hundred, women were often check and controlled by their hubbys and other men. In The chicken Wallpaper, by Charlotte Perkins Gilman, the fabricator is oppressed to the point of insanity. Gilman uses symbolisation when describing the shares, orbit and the wallpaper allowing the proof endorser to experience the narrators descent into madness as a result of womanly oppression.\nThe authors explanation of the triad main characters allows the reader to better meet what it would be like to be a female in the recent 19th century. The narrator and in like manner the main character of The Yellow Wallpaper is a infantile wife and mother who has tardily been experiencing signs of depression and anxiety. John, her physician husband diagnoses her with temporary nervous depression---a flimsy hysterical tendency, and prescribes her three months of the rest cure. She was confined to the greenhouse in their rented summer home, and not allowed to write, engage with people she wanted to, or see her baby. Anyone in this situation could easily senesce toward madness. Her husband John is a proud physician who tells his wife that he only wants what is outmatch for her, but he is universe very controlling. According to the narrator, He has no patience with faith, an bright horror of superstition, and he scoffs openly at any chide of things not to be felt and seen and put down fingers onPAGE85. In essence, John encompasses a superior rationality that makes in challenging for the narrator to exertion and make John understand her discomfort with her room and what she is eyesight in the wallpaper. The third character Jennie is Johns sister, she is a perfect and spirited housekeeper, and hopes for no better avocation PAGE 87. She is symbolic of women in the late 19th century who were content with their domestic roles.\nThe setting in which this story takes state of affairs is also imperative to esteem the symbolism used by Gilman. The story begi.. .